POINTILLISM — SEURAT DOT BY DOT LUMINOSITY

VISUAL STYLE: Pointillism in the tradition of Georges Seurat and Paul Signac. Every surface built from individual dots of pure colour — never mixed on the palette, mixed only by the eye at viewing distance. Scientific colour theory made visible.

COLOUR PALETTE: Pure spectrum colours only — applied as small, separate dots. Adjacent complementary colours vibrate against each other. Blues beside oranges. Reds beside greens. At distance: luminous, vibrant harmony. Up close: a field of individual coloured points.

TEXTURE: The dot is always visible. Each mark is the same size — round, precise, deliberate. The surface has a consistent granular texture like a halftone print seen close up.

LIGHT: Scientific light — shadows are filled with complementary colour rather than simple darkness. A blue shadow contains orange. A green field's shadow contains violet.

FIGURES: Simplified in silhouette but complex in their surface. Each figure is a constellation of coloured dots that resolves into a person at the right distance.

ANIMATION: Dots accumulate to build the scene rather than appearing all at once. The image assembles itself point by point.

No brushstrokes. No blended edges. Only the dot, repeated with infinite patience.