SUPREMATISM — MALEVICH PURE GEOMETRIC ABSTRACTION

VISUAL STYLE: Kazimir Malevich Suprematism. Pure geometric abstraction — the elimination of everything representational. Squares, circles, rectangles, and lines floating in white space. The zero degree of painting. Maximum meaning from minimum form.

COLOUR PALETTE: Black, white, and a single bold accent colour per scene — red, or blue, or yellow. Never more than three tones simultaneously. White space is not empty — it is infinite.

FORMS: Simple geometric shapes only. No curves except the circle. No organic forms. Squares tilted at angles to suggest movement. A black square is a world.

COMPOSITION: Shapes float in white space without gravity. They are positioned by visual tension rather than narrative logic. A small red square in the corner holds the weight of a large black rectangle in the centre.

MOVEMENT: Implied by diagonal orientation and overlapping planes. A tilted rectangle is moving. Shapes near the edge of the canvas are about to leave.

MEANING: There is no metaphor. The arrangement of black and white and one colour is the content. The viewer provides the meaning.

No representation. No figure. No landscape. Only form and space and their relationship.